For some reason, the other day I began to think about the word applause and its physical meaning, and then being it was early in the morning, the phrase "standing ovation" came right into my head.
We in the midwest part of the USA will celebrate any performance, however misguided, lame, or inept with a standing ovation, and it comes, as these things do, in three different forms.
There is the immediate standing ovation; this occurs when the performer appears to be near retirement or worse or is of such world significance that the audience wishes to convey its appreciation that (fill in the blank - examples include Madonna, McCartney, Streisand) deigned to take time from counting his/her wealth in some distant world capital to come visit us and charge us only $400 a seat for a 90 minute set of what are often "golden oldies."
There are two subsets of this model - both have to do with time. Our normal standing ovation is a couple of minutes in order to coax the performer to play what s/he has already scheduled to play as an encore. As the clock approaches 10 pm, the ovation begins to diminish as people's minds turn to such things as a toilet, a drink, escaping the parking ramp, and getting home in time for the sports on tv.
The rarer standing ovation is the one which goes on and on, often involves the throwing of bouquets on the stage, and represents the highest accolade an audience can give a performer or performance.
As ballet dancers have been retiring from major dance companies lately, this kind of ovation has been experienced more frequently in recent weeks. It is honest, heartfelt, determined, generous, loving, and an immeasurable gift.
Then there is the reluctant "Aw, shucks" standing ovation, our equivalent of "Well, you did pretty good, didn't you?" In this model, not everyone stands, and those who do wait until well into the applause before they issue their verdict.
I have never stood often, but I can recollect performances by Hillary Hahn, The Globe Theatre of London, anytime Elisabeth Söderström graced us with her artistry, and the second performance of Hamlet at the Guthrie Theater in Minneapolis on May 8, 1963, but who's keeping track? Sometimes, in truth, I stand to stretch my legs and plan my escape from the venue.
Applause comes from the Latin meaning to strike upon or to clap, and ovation also comes from the Latin - supposedly, after a victory, a general would burn a sheep, and all would stand to witness.
You may draw your own conclusions about all this. What I know is that too many audiences these days don't have a clue as to what an extraordinary performance is, and by standing all the time, they reinforce the ordinary.
They don't know, but I'll wager the performer does, cf sheep, op.cit.)